HHHQ

Purple Rain

2004, 26th Bienal de Sao Paulo – Image Smugglers in a free Territory, National Representation Australia, Sao Paulo, Brazil,  2005  Artspace, Sydney, Australia,  2006  Waves The 8th International Festival for New Media Culture ART+COMMUNICATION, Riga, Latvia,  2006  (in)visible sounds, Montevideo, The Dutch Institute for Time based Art, Amsterdam, Netherlands., 2007  V2 Zone, Act Interact, The Museum of Contemporary Art Taipei, Taiwan,  2008  Waves – The Art of the Electromagnetic Society,  PHOENIX Halle Dortmund, Germany. Defiantly unstable, the noise over Purple Rain’s pristine mountain glitches, the transmission pumping through the ether at a rate backed by the combined transmission channel feed …

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Born to be Wild:Silver Hill

Premiered in the Adelaide Biennale of Australian Art 2004. Curated by Julie Robinson , Art Gallery of South Australia. Single Channel Video Installation. In which a forest falls down of its own volition – collapsing in on itself in an act of unexplainable violence. Catalogue Essay: Anne Finegan There’s an implicit absence of human fate in this mysterious falling down of the trees. Catastrophe doesn’t always strike at midnight, and is all the more spooky for taking place in the clear skies of a noonday glare. The forest is majestic, rising from the cloud bank with an Ansell Adams black-and-white …

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House II: The Great Artesian Basin Pennsylvania

  2003 in The Liquid Sea: Museum of Contemporary Art , Sydney, Australia, 2004. Lets talk about six, Dunedin Public Art Gallery New Zealand, 2005 – Vanishing Point, Experimenta, Melbourne, Australia, 2006 – Under the Radar, Foundation for Art & Creative Technology Liverpool, England, 2006-2007 – Vanishing Point National Tour, Experimenta, Devonport Regional Gallery, Newcastle Region Art Gallery, Ipswich Art Gallery. Single Channel Video Projection. 5.1 surround sound. The Dwelling ACCA Australian Centre for Contemporary Art, Melbourne. Single Channel projection 5:1 sound work Review of the Liquid Sea Liquid sea review

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Video Art