Carbon Black Electromagnetic Jurassic – Opening 10 January 2014 at Roodkapje, Rotterdam and with a live performance 17 January at Worm Rotterdam’s Institute for Avant-garde Recreation.
Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions …
12/07/2013 – 18/08/2013 Hollow in the Paper Joyce Hinterding, Pat Brassington, David Haines, Fiona Lee, Amanda Davies, Maria Kunda, Teaching and Learning Cinema Bec Stevens CAST Hobart from the CAST website the wonderful Bec Stevens writes Hollow in the Paper* was initiated through readings of two intertwined notions proposed separately by Duchamp. The initial text included the succinct idea of a transformer to utilise slight, wasted energies – with these mostly bodily energies being, for example, “sneezes and sighs” or “the movements of fear, astonishment, boredom and anger”. And the second notion being the infra-slim, infra-thin or infra-mince. A term …
17 /06/2013 Above: ElectroStatic Wavefront Number 1 in Russell Jack house Wahroonga as part of Modern Art Projects second exhibition.
Monocline: Black Boxes will be exhibited at the Wellington City Art Gallery, New Zealand as part of SoundFull curated by Caleb Kelly & Aaron Kreisler…… http://citygallery.org.nz/ Opening 18/10/13 Show 18/10/13-9/2/14
UTS Gallery Sydney: Living in the Ruins of the Twentieth Century 16 April—17 May 2013 Opening Tuesday 16 April 6–8pm
We are both represented with individual works in the Redlands Konica Minolta Art Prize. Selected artists are also asked to choose another artist to be included, I chose Michaela Gleave and Joyce chose Vicky Browne. http://www.redlands.nsw.edu.au/go/redlands-community/redlands-konica-minolta-art-prize/?CFID=296873&CFTOKEN=91579296
A disassembled flower 2013. Sydney College of the Arts, Sydney University.
This pure pigment image is the first in a number of works that form part of a series on imaginary cartography. “Looking towards the Noumenon Ranges, 2013 ” was first exhibited in the Konica Minolta Redlands Prize. The landscape depicted is often mistaken for a real place. The landscape is algorithmically generated using fractal-based 3d rendering software.
12 October 2013 ‘The falls of darkness‘ was installed and performed for Niteworks at The Bundanon Trust in the Glen Murcutt designed Boyd Education Center. ‘The falls of darkness’ drew its source sound from 5 large graphite graphic Very Low Frequency antenna stenciled onto the large windows of the Boyd Education Center and 7 copper tube antenna pointing into the night sky. This live performance explored the electromagnetic soundscape of the surroundings and wrangled this energetic material into a composition of elaborate sonic structures. Invite to BundanonNiteWorks PDF
2012,Orgasm,Breenspace,Sydney,2011 Awfully Wonderful,Science Fiction in Contemporary Art,Performance Space Sydney.The Black Ray: Cloudbuster Number Three: Orgone Energy Cloud Engineering Device, Starlight Driver: Cloudbuster Number Four: Orgone Energy Cloud Engineering Device 2011–12 – anodized aluminium, irrigation piping, water pump (240cm x 11cm x 28 cm)Electrostatic composition for Carbon Black Electrostatic composition for Carbon Black and Alizarine Yellow 2012 Carbon Black pigment, Alizarine Yellow pigment, polycarbonate, cedar (95 x 62 x 33 cm) The Black Ray and Starlight Driver are functional working Cloudbusters, an invention of psychoanalyst Wilhelm Reich that appeared in the US in the 1950’s that are said to be able to manipulate and restore balance to the …
Monocline: White Cube – Real-time 3D environment,Kinect motion sensor,3d audio.2010 Monocline, Premiered at SuperDeluxe for the 17th Biennale of Sydney in dual channel performance,2011 Monocline: White Cube exhibited at Breenspace Sydney,2011 Monocline BlackBoxes exhibited at SoundFull,The Dunedin Public Art Gallery NZ and Wellington City Gallery 2012-2012 Monocline: The NowNow Festival, Sydney,2012 Monocline: BlackBoxes,SoundSpheres Tarrawarra Bienial at the Tarrawarra Museum of Art Monocline: white cube, establishes a real time navigable environment that redresses the game paradigms of skill and challenge and instead allows viewers to move freely through multiple immersive abstract worlds. The navigation system for this is achieved with a …
2011,Anne Landa Award for Video and New media Arts Art Gallery of NSW. interactive digital projection,computer,various hardware, twigs, table, speakers. Additional sound: Michael Morley, Danny Butt & Rosy Parlane. ‘The Outlands’ is a virtual reality environment that allows the viewer to explore a series of imaginary landscapes using customized control sticks. Built with the Unreal game engine the work has four levels where viewers are free to take their time to look around and explore without fear of assassination. Visitors are invited to take control and conduct their own voyage through an immersive digital world of forests, islands, and futuristic interior …
The Phantom Leaves 1-5 2010: Five aroma compositions with Kirlian Photographs. Aroma Compositions: Mint Glass, Wormwood of the Sea, Violets on Fire, Grass Valley, A Thousand Leaves. All of these were fantasy fragrances based on ideas suggested by the photographs and my firsthand experience of the subject matter. First exhibited in GREEN: Colin Langridge (TAS) David Haines (NSW) Richard Giblett (VIC) Lucy Bleach (TAS) Roman Signer (SWITZ) Bec Stevens (TAS) Richard Wastell (TAS) Semiconductor: Ruth Jarman & Joe Gerhardt (UK). Curated by Geoff Parr, Lucy Bleach and Bec Stevens.
Hand painted curtain, ultrasonic speaker,installed roof top antennae,computer. Site Specific installation as part of Light from Light, curated by Kim Machin. State Library of Queensland
2008 – CURRENT 08: Sculpture Projects in the River City A limited edition Artists publication Commisioned by Parramatta City Council, Supported by Parramatta Artists Studios A limited edition Artists publication: PDF of Immaterial’s Language-Molecules-Vibration TEXTS: Dr Ann Finegan: Parramatta Mangroves: Amanda Williams: Melancholy Suburbia FRAGRANCE/ MOLECULAR COMPOSITIONS: David Haines: Ghost Leaves & Ozone Rubber (wearable perfumes) Ghost Leaves: Includes notes of Lantana and Fennel, fresh cut grass, river water/ozone, violet leaf and macrocylic musk. Ozone Rubber: Includes notes of Goodyear Tyre Rubber, Sea Water, floral Ozone, Chypre (Isobutyl Quinoline) and vetiveryl acetate mud accord SOUND: Joyce Hinterding : Transriver: Audio …
EarthStar’s overall effect is a poetically charged experience that ultimately emphasises the sun’s elemental and mythic qualities. Exploring arcane energies and hidden frequencies, the installation comprises three elements; a formal dynamic space is established between the singular and spectacular footage of the solar chromo-sphere captured by the Artists using a Hydrogen-Alpha telescope, sitting in opposition to this are two luminous refrigeration units containing virtual aroma compositions of synthesised molecules that represent states of ozone. Building a bridge between these two elements is a resonating and receiving system of VLF antennae tuned to the radio bursts emitted by the sun and …
Telepathy 2008, Performance Space. Telepathy 2016 MCA Sydney, Telepathy Muttuma 2021-Ongoing, Telepathy Guggenheim Gallery, Chapman University, Orange County, California, USA 2024 Telepathy (2008) was an installation commission by the collaborative team of David Haines and Joyce Hinterding. The commissioning process was initiated by Performance Space’s former Associate Director, Sally Breen, as part of a suite of new works by NSW-based artists, made specifically for the cavernous CarriageWorks environment and in relation to its history, former uses and present-day conversion. Haines and Hinterding responded to the visually layered, light-filled, busy and echoic building by considering a space for darkness, silence …
Superlight 01SJ Biennial – The San Jose Museum of Art, Superlight HD Video projection, Live sound, graphic antenna. David Haines and Joyce Hinterding present a vivid cinematic sequence of a failed oil mining ghost town in the Australian outback coupled with the ghostly audio of the electromagnetic soundscape from the artist’s field recordings. The artists also present some of the unusual sculptures they have made to detect and listen to the normally unheard world of the electromagnetic in the museum in real-time. The installation is part of an esoteric laboratory for ghost-busting and part metaphorical commentary on the speed of …
CORE (Cosmic Orgone Engineering) was an exhibition produced as part of a residency we did at IASKA International Art Space Kellaberrin, Western Australia 2007. RULES TO FOLLOW IN CLOUD ENGINEERING by Wilhelm Reich Published by Orgone Institute in “CORE” July 1954 Vol. VI Nos. 1-4; appendix A” 1. Shed all ambition to impress anyone. 2. Never play around with rain making or cloudbusting. The OR envelope which you tackle while “drawing” energy from the atmosphere is an energetic continuum of high power. You may cause twisters. You may stir a forest fire into the wrong direction. You may do …
The Door premiered in New Zealand at Te Tui Center for the Arts in the exhibition, “Who’s Afraid of the Big Bad Wolf” Curated by Emma Bugden and Pita Turei. Artists: Cao Fei, Gabríela Fridriksdóttir, Peter Gossage, Star Gossage,Veli Granö, David Haines, Shigeyuki Kihara, Polixeni Papapetrou ,Teresa Peters and John Walsh. Sound Mix, location and Studio Assistance. Claire Herbert. from the gallery website An artist can sometimes restore severed paths to our unconscious. Veli GranöPeople have always told tall tales. From early folklore to classic children’s fairytales such as the Grimm’s brothers, fantastical stories provide explanation for the strangeness of …
Exhibited: Tokyo Floating Worlds, Plimsol Gallery, Hobart.2006 Curated by Jonathon Holmes. Part of an ongoing series of 3d rendered virtual objects realised as large-scale photographic prints.
Exhibited: Tokyo Floating Worlds ( group exhibition) Plimsol Gallery Hobart 2006 curated by Jonathon Holmes Part of an ongoing series of virtual objects rendered as large scale photographic images.
Electromagnetique Composition for Building Plants & Stars. Sendai Mediatheque – Sendai, Japan Curated by Shimizu Kent for the exhibition ReSearch 2006. Version 2 Electromagnetique Composition: Breenspace Sydney 2008. Version 3 Electromagnetic Composition: Adelaide Array 2009. Site Specific Live and recorded sound HD video projection. Custom built VLF antenna and audio equipment Extract from: Joyce Hinterding and David Haines: High Res Resonations with the Milky Way Andrew Murphie The title of this work accurately describes the formal nature of the composition – although what especially concerned Haines and Hinterding in making the work was the ‘wildness’ or hidden energies in the building, …
2006 – Perth Institute of Contemporary Art, Perth Western Australia, 2007 – The Visitors – Aliens and UFOs in Contemporary Art, Penrith regional Gallery & Lewers Bequest, Penrith, Australia, 2008 – Turn and Widen, TWWR, The 5th Seoul International Media Art Biennale, Seoul, Korea. Breaking News From the Ether, La Panacee Montpellier 2014 Orup Desert & OE antennae: HD video installation with live sound from of 4 custome built VLF antenna. Artists Statement from the catalogue: download pdf TwoWorks_catalogue We never intended to follow in Reich’s footsteps literally, but we did want to dedicate our work to him. Wilhelm …
Hollow Earth Theory is nothing new in the history of ideas. The famous British seventeenth century astronomer, Edmund Haley believed that the inner earth was hollow and lit by a luminous atmosphere. Edgar Rice Burroughs wrote a cycle of novels set in the hollow earth. Julese Verne wrote ‘Journey to the Center of the Earth’ as part of a series of journey novels. John Cleves Symmes, an American nineteenth century eccentric believed that the earth was open at the poles and that the interior of the earth was inhabited. In 1906, William Reed added his book “Phantom of the Poles” …
Day & Night 2-channel video projection. Stereo Sound. Performance re-recorded in High Definition 2015 Camera: Joyce Hinterding, 2004, 2015. Safety belay, Michael Myers. 2004. Premiered at Contemporary Art Center of South Australia CASCA 2005. Resonaces Magnetique 2016 Panacee, Montpellier, France.
2004, 26th Bienal de Sao Paulo – Image Smugglers in a free Territory, National Representation Australia, Sao Paulo, Brazil, 2005 Artspace, Sydney, Australia, 2006 Waves The 8th International Festival for New Media Culture ART+COMMUNICATION, Riga, Latvia, 2006 (in)visible sounds, Montevideo, The Dutch Institute for Time based Art, Amsterdam, Netherlands., 2007 V2 Zone, Act Interact, The Museum of Contemporary Art Taipei, Taiwan, 2008 Waves – The Art of the Electromagnetic Society, PHOENIX Halle Dortmund, Germany. Defiantly unstable, the noise over Purple Rain’s pristine mountain glitches, the transmission pumping through the ether at a rate backed by the combined transmission channel feed …
Solo Exhibition at Scott Donovan Gallery – Sydney Digital Prints, 2 hand made boxed editions with pigment prints, 3 cd-r audio works.
Premiered in the Adelaide Biennale of Australian Art 2004. Curated by Julie Robinson , Art Gallery of South Australia. Single Channel Video Installation. In which a forest falls down of its own volition – collapsing in on itself in an act of unexplainable violence. Catalogue Essay: Anne Finegan There’s an implicit absence of human fate in this mysterious falling down of the trees. Catastrophe doesn’t always strike at midnight, and is all the more spooky for taking place in the clear skies of a noonday glare. The forest is majestic, rising from the cloud bank with an Ansell Adams black-and-white …
2003 in The Liquid Sea: Museum of Contemporary Art , Sydney, Australia, 2004. Lets talk about six, Dunedin Public Art Gallery New Zealand, 2005 – Vanishing Point, Experimenta, Melbourne, Australia, 2006 – Under the Radar, Foundation for Art & Creative Technology Liverpool, England, 2006-2007 – Vanishing Point National Tour, Experimenta, Devonport Regional Gallery, Newcastle Region Art Gallery, Ipswich Art Gallery. Single Channel Video Projection. 5.1 surround sound. The Dwelling ACCA Australian Centre for Contemporary Art, Melbourne. Single Channel projection 5:1 sound work Review of the Liquid Sea Liquid sea review
The Fifteenth Century is a 2 Channel video projection DVD with Stereo sound. 16 X 9 aspect ratio. On the right hand screen we see a digitally generated fractal landscape that derives its geometry from the Artists date of birth that is used as the generator for the algorithm. On the left screen we see the ocean in the night sky over LA USA like a scene from a seventies horror movie. The Artist got the idea for this scene from his dream diary. In the soundtrack we hear the crackle of various electro magnetic emissions and the sound from …
Australian artists Joyce Hinterding and David Haines usually pursue separate artistic practices. Recently they have produced two intriguing video installations collaboratively. The Levitation Grounds (2000) and, in this exhibition, The Blinds and the Shutters. Joyce Hinterdings work focuses on a form of installation concerned with energy and sound. At the heart of her work is the exploration of the seemingly invisible phenomena that pervade our daily existence: electricity, the sounds of weather or electro-magnetic fields. Consistent throughout her oeuvre has been the desire to make the invisible visible. In the past she has created lightning on the roof of a …
Extract from an Essay by Ann Finegan For ArtLink 2009 As artificial pulse rates have accelerated, timekeeping mechanisms have continued to shrink. Today, the gigahertz, crystal oscillator hearts of tiny computer chips are embedded everywhere. Electronic vibrations subdivide seconds into billions of parts… measure and commodify both human and machine work, and precisely construct the accelerating tempos and rhythms of the digital era – coordinated, where necessary, by a central atomic clock. (William J. Mitchell. Me++ The Cyborg Self and the Networked City, 11) To our everyday senses we might still inhabit what Deleuze and Guattari called a …
2000 -Artspace, Sydney, Australia, 2002 – ARCO, Madrid, Spain, 2002 – st@rt up: new interactive media, Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand, 2002 – MAAP, Multimedia Art Asia Pacific, The Art Museum of China Millennium Monument, Bejing, China, 2003 – CAST Hobart, Tasmania, Australia, 2005 – The Great Escapes, Lake Macquarie City Art gallery, NSW, Australia, 2006 – Senses of Place, Plimsoll Gallery, Hobart Tasmania, Australia, Four Channel DVD video installation Stereo and 5/1 Sound. This work began on Bruny Island in Tasmania Australia as part of a residency in 1999 -2000. The residency at the Cape …
LEVITATION GROUNDS by Liminal Product: Fran Dyson & Douglas Kahn We would like to believe that we belong to the place where weather places us. No matter how people might isolate themselves among concrete, glass, metal and media, they are brought back into a communal experience once immersed in searing heat, syrupy humidity, dense fog, or bone-chilling wind. It influences what we talk about, how we dress, how we move about, whether we move about, where we go and where we are. Can not a particular clime leach into the deep character structures of an entire people, just as it …
