Sound Full 2012
Sunvalley at Sound Full, Dunedin Public Art Gallery Dunedin, New Zealand
Monocline : White Cube / Monocline: Black Boxes
Monocline: White Cube – Real-time 3D environment,Kinect motion sensor,3d audio.2010 Monocline, Premiered at SuperDeluxe for the 17th Biennale of Sydney in dual channel performance,2011 Monocline: White Cube exhibited at Breenspace Sydney,2011 Monocline BlackBoxes exhibited at SoundFull,The Dunedin Public Art Gallery NZ and Wellington City Gallery 2012-2012 Monocline: The NowNow Festival, Sydney,2012 Monocline: BlackBoxes,SoundSpheres Tarrawarra Bienial at the Tarrawarra Museum of Art Monocline: white cube, establishes a real time navigable environment that redresses the game paradigms of skill and challenge and instead allows viewers to move freely through multiple immersive abstract worlds. The navigation system for this is achieved with a …
SoundWave: Induction Drawings
2012 Artists Proof #1, Monash University Museum of Art, Melbourne The SoundWave: Induction drawings were exhibited at MUMA (Monash University of modern Art) for the exhibition “Artists proof #1. These sound producing induction drawings take technical liberties around the notion an energy scavenging and storing energy. for example SoundWave: Induction drawing1 Capacitor Wave investigates the sonic possibilities for a series of Wave form resonating elements inside a wave form loop and is connected to a graphic capacitor. SoundWave: Induction drawing1 Capacitor Wave SoundWave: Induction drawing 2 Resonator Wave SoundWave: Induction drawing3 Spiral Wave SoundWave: Induction drawing4 Wave core …
The Outlands
2011,Anne Landa Award for Video and New media Arts Art Gallery of NSW. interactive digital projection,computer,various hardware, twigs, table, speakers. Additional sound: Michael Morley, Danny Butt & Rosy Parlane. ‘The Outlands’ is a virtual reality environment that allows the viewer to explore a series of imaginary landscapes using customized control sticks. Built with the Unreal game engine the work has four levels where viewers are free to take their time to look around and explore without fear of assassination. Visitors are invited to take control and conduct their own voyage through an immersive digital world of forests, islands, and futuristic interior …
Spiral Network
2011 Outhear, Spiral Network – Release Agent 01 Footscray Community Centre, Vic An installation of four, graphite,graphic sound producing antenna, installed at The footscray Community Centre for the 2011 Outhear Festival. [embedit snippet=”spiral-network-release-agent-01″] Playing the Antenna is Dale Gorfinkle.
Loops and Fields: Series 4
2010 Freehand, Heide Museum of Contemporary Art, Melbourne, 2011 Invisible fields, Geographies of Radio Waves, Arts Santa Mònica, Barcelona, Spain http://www.heide.com.au/exhibitions/past/page/3/exhibition/freehand/edate/2010-11-25/eid/177 Catalogue Entry for Freehand: recent Australian drawing Loops and Fields, is a collection of drawings that resonate sympathetically to the electromagnetic fields within the gallery. These graphite drawings function as graphic antennas and explore the qualities and inherent nature of a combination of hand-drawn and mathematically generated forms. Delving into algorithmic structures, fractals and the chaotic nature of the hand drawn line, these drawings are an exploration of conductive materials and the possibilities for drawing electronic components. When connected …
Broadcast from the Ionosphere
Hand painted curtain, ultrasonic speaker,installed roof top antennae,computer. Site Specific installation as part of Light from Light, curated by Kim Machin. State Library of Queensland
Aura
2009 Aura, Breenspace, Sydney, 2010 Love of Diagrams, PICA (Perth Institute for Contemporary Art) WA 2010, Opening Lines, Gertrude Contemporary Art Spaces, Melbourne, 2010 No Right Turn, Penrith Regional Gallery This suite of drawings resonates sympathetically with the electromagnetic fields within the gallery. It engages with the possibilities for evidencing the local energetic environment through gold and graphite graphic interpretations of mathematical algorithms that behave like antennas. This work expands the conceptual limits of representation by activating the functional properties in the image both as a material entity and a form. It opens up possibilities for working with images …
Now Now 2008
Now Now Festival, Joyce Hinterding solo performance, Wentworth Falls School of Arts, Blue Mountains, NSW
The Immaterials: Language-Molecules-Vibrations
2008 – CURRENT 08: Sculpture Projects in the River City A limited edition Artists publication Commisioned by Parramatta City Council, Supported by Parramatta Artists Studios A limited edition Artists publication: PDF of Immaterial’s Language-Molecules-Vibration TEXTS: Dr Ann Finegan: Parramatta Mangroves: Amanda Williams: Melancholy Suburbia FRAGRANCE/ MOLECULAR COMPOSITIONS: David Haines: Ghost Leaves & Ozone Rubber (wearable perfumes) Ghost Leaves: Includes notes of Lantana and Fennel, fresh cut grass, river water/ozone, violet leaf and macrocylic musk. Ozone Rubber: Includes notes of Goodyear Tyre Rubber, Sea Water, floral Ozone, Chypre (Isobutyl Quinoline) and vetiveryl acetate mud accord SOUND: Joyce Hinterding : Transriver: Audio …
EarthStar
EarthStar’s overall effect is a poetically charged experience that ultimately emphasises the sun’s elemental and mythic qualities. Exploring arcane energies and hidden frequencies, the installation comprises three elements; a formal dynamic space is established between the singular and spectacular footage of the solar chromo-sphere captured by the Artists using a Hydrogen-Alpha telescope, sitting in opposition to this are two luminous refrigeration units containing virtual aroma compositions of synthesised molecules that represent states of ozone. Building a bridge between these two elements is a resonating and receiving system of VLF antennae tuned to the radio bursts emitted by the sun and …
Telepathy 2008 – ONGOING
Telepathy 2008, Performance Space. Telepathy 2016 MCA Sydney, Telepathy Muttuma 2021-Ongoing, Telepathy Guggenheim Gallery, Chapman University, Orange County, California, USA 2024 Telepathy (2008) was an installation commission by the collaborative team of David Haines and Joyce Hinterding. The commissioning process was initiated by Performance Space’s former Associate Director, Sally Breen, as part of a suite of new works by NSW-based artists, made specifically for the cavernous CarriageWorks environment and in relation to its history, former uses and present-day conversion. Haines and Hinterding responded to the visually layered, light-filled, busy and echoic building by considering a space for darkness, silence …
Black Canyon Earth Field
Superlight 01SJ Biennial – The San Jose Museum of Art, Superlight HD Video projection, Live sound, graphic antenna. David Haines and Joyce Hinterding present a vivid cinematic sequence of a failed oil mining ghost town in the Australian outback coupled with the ghostly audio of the electromagnetic soundscape from the artist’s field recordings. The artists also present some of the unusual sculptures they have made to detect and listen to the normally unheard world of the electromagnetic in the museum in real-time. The installation is part of an esoteric laboratory for ghost-busting and part metaphorical commentary on the speed of …
CORE (Cosmic Orgone Engineering)
CORE (Cosmic Orgone Engineering) was an exhibition produced as part of a residency we did at IASKA International Art Space Kellaberrin, Western Australia 2007. RULES TO FOLLOW IN CLOUD ENGINEERING by Wilhelm Reich Published by Orgone Institute in “CORE” July 1954 Vol. VI Nos. 1-4; appendix A” 1. Shed all ambition to impress anyone. 2. Never play around with rain making or cloudbusting. The OR envelope which you tackle while “drawing” energy from the atmosphere is an energetic continuum of high power. You may cause twisters. You may stir a forest fire into the wrong direction. You may do …
Sound and Electricity 2006
Sound and Electricity, Joyce Hinterding solo performance, Performance Space, Sydney
Ultra Violet Particle Shield
Exhibited: Tokyo Floating Worlds, Plimsol Gallery, Hobart.2006 Curated by Jonathon Holmes. Part of an ongoing series of 3d rendered virtual objects realised as large-scale photographic prints.
Ghost Flower Guidance System
Exhibited: Tokyo Floating Worlds ( group exhibition) Plimsol Gallery Hobart 2006 curated by Jonathon Holmes Part of an ongoing series of virtual objects rendered as large scale photographic images.
Electromagnetique Composition for Building Plants and Stars
Electromagnetique Composition for Building Plants & Stars. Sendai Mediatheque – Sendai, Japan Curated by Shimizu Kent for the exhibition ReSearch 2006. Version 2 Electromagnetique Composition: Breenspace Sydney 2008. Version 3 Electromagnetic Composition: Adelaide Array 2009. Site Specific Live and recorded sound HD video projection. Custom built VLF antenna and audio equipment Extract from: Joyce Hinterding and David Haines: High Res Resonations with the Milky Way Andrew Murphie The title of this work accurately describes the formal nature of the composition – although what especially concerned Haines and Hinterding in making the work was the ‘wildness’ or hidden energies in the building, …
Two Works for Wilhelm Reich
2006 – Perth Institute of Contemporary Art, Perth Western Australia, 2007 – The Visitors – Aliens and UFOs in Contemporary Art, Penrith regional Gallery & Lewers Bequest, Penrith, Australia, 2008 – Turn and Widen, TWWR, The 5th Seoul International Media Art Biennale, Seoul, Korea. Breaking News From the Ether, La Panacee Montpellier 2014 Orup Desert & OE antennae: HD video installation with live sound from of 4 custome built VLF antenna. Artists Statement from the catalogue: download pdf TwoWorks_catalogue We never intended to follow in Reich’s footsteps literally, but we did want to dedicate our work to him. Wilhelm …
Impermanent Audio 2005
Impermanent Audio, David Haines solo performance, Pelt Gallery, Sydney Photo: Mr Snow
Typhoon 2005
Typhoon, Joyce Hinterding solo performance, Artspace Sydney. Photo: Mr Snow
Hollow Earth Theory Revived
Hollow Earth Theory is nothing new in the history of ideas. The famous British seventeenth century astronomer, Edmund Haley believed that the inner earth was hollow and lit by a luminous atmosphere. Edgar Rice Burroughs wrote a cycle of novels set in the hollow earth. Julese Verne wrote ‘Journey to the Center of the Earth’ as part of a series of journey novels. John Cleves Symmes, an American nineteenth century eccentric believed that the earth was open at the poles and that the interior of the earth was inhabited. In 1906, William Reed added his book “Phantom of the Poles” …
Purple Rain
2004, 26th Bienal de Sao Paulo – Image Smugglers in a free Territory, National Representation Australia, Sao Paulo, Brazil, 2005 Artspace, Sydney, Australia, 2006 Waves The 8th International Festival for New Media Culture ART+COMMUNICATION, Riga, Latvia, 2006 (in)visible sounds, Montevideo, The Dutch Institute for Time based Art, Amsterdam, Netherlands., 2007 V2 Zone, Act Interact, The Museum of Contemporary Art Taipei, Taiwan, 2008 Waves – The Art of the Electromagnetic Society, PHOENIX Halle Dortmund, Germany. Defiantly unstable, the noise over Purple Rain’s pristine mountain glitches, the transmission pumping through the ether at a rate backed by the combined transmission channel feed …
Impermanent Audio 2004
Impermanent Audio, David Haines and Joyce Hinterding performance, MCA, Sydney. Photo: Mr Snow
Impermanent Audio 2003
Impermanent Audio, David Haines solo performance, Frequency Lab, Sydney
House II: The Great Artesian Basin Pennsylvania
2003 in The Liquid Sea: Museum of Contemporary Art , Sydney, Australia, 2004. Lets talk about six, Dunedin Public Art Gallery New Zealand, 2005 – Vanishing Point, Experimenta, Melbourne, Australia, 2006 – Under the Radar, Foundation for Art & Creative Technology Liverpool, England, 2006-2007 – Vanishing Point National Tour, Experimenta, Devonport Regional Gallery, Newcastle Region Art Gallery, Ipswich Art Gallery. Single Channel Video Projection. 5.1 surround sound. The Dwelling ACCA Australian Centre for Contemporary Art, Melbourne. Single Channel projection 5:1 sound work Review of the Liquid Sea Liquid sea review
Plasma Wave Instrument: Air Time
2002 – Converge: Where art and Science meet: The Adelaide Biennial, The Art Gallery of South Australia, 2002 -The 13th Sydney Biennale of Sydney, The world (May Be) Fantastic, The Museum of Contemporary Art, Sydney, Australia. The Plasma Wave Instrument explores the in-between space of matter both as a real-world phenomenon and as an imaginary rendering via a computer-generated sequence. At the centre of this work is a photovoltaic high-voltage generator that transforms sunlight into plasma. Here, the air in its fourth phase travels faster than the speed of sound, literally burning the air. The mechanism that facilitates this is based …
The Blinds & the Shutters
Australian artists Joyce Hinterding and David Haines usually pursue separate artistic practices. Recently they have produced two intriguing video installations collaboratively. The Levitation Grounds (2000) and, in this exhibition, The Blinds and the Shutters. Joyce Hinterdings work focuses on a form of installation concerned with energy and sound. At the heart of her work is the exploration of the seemingly invisible phenomena that pervade our daily existence: electricity, the sounds of weather or electro-magnetic fields. Consistent throughout her oeuvre has been the desire to make the invisible visible. In the past she has created lightning on the roof of a …
The Levitation Grounds
2000 -Artspace, Sydney, Australia, 2002 – ARCO, Madrid, Spain, 2002 – st@rt up: new interactive media, Museum of New Zealand, Te Papa Tongarewa, Wellington, New Zealand, 2002 – MAAP, Multimedia Art Asia Pacific, The Art Museum of China Millennium Monument, Bejing, China, 2003 – CAST Hobart, Tasmania, Australia, 2005 – The Great Escapes, Lake Macquarie City Art gallery, NSW, Australia, 2006 – Senses of Place, Plimsoll Gallery, Hobart Tasmania, Australia, Four Channel DVD video installation Stereo and 5/1 Sound. This work began on Bruny Island in Tasmania Australia as part of a residency in 1999 -2000. The residency at the Cape …
Levitation Grounds: Essay / Liminal Product
LEVITATION GROUNDS by Liminal Product: Fran Dyson & Douglas Kahn We would like to believe that we belong to the place where weather places us. No matter how people might isolate themselves among concrete, glass, metal and media, they are brought back into a communal experience once immersed in searing heat, syrupy humidity, dense fog, or bone-chilling wind. It influences what we talk about, how we dress, how we move about, whether we move about, where we go and where we are. Can not a particular clime leach into the deep character structures of an entire people, just as it …
Otira Cemetery 1999
Made on site at Otira, Aurthur’s Pass, New Zealand for Obscura Arts Festival 1999, curated by Juliane Sephenson in association with the Physics Room, Christchurch.
Darvidian Body 1998
Exhibited at the Physics Room, Christchurch 1998
The Oscillators
1995 – Sound In Space: Australian Sound Art, Museum of Contemporary Art, Sydney. Comprised of conventional art materials pencil (graphite), paper and silver leaf these drawings are functioning interpretations of the circuit diagram of the electronic device the phase shift oscillator. Electricity generated by the Solar panel is fed directly into the drawing and the pencil marks, silver and paper are used to conduct, impede and collect electricity. All conventional electronic components except the transistor and a piezo speakers have been replaced by the graphite drawings, connecting wires and silver leaf. The recording of this installation titled “the Oscillators” and …