Field Study 1: 665 nanometer infrared, Queenstown, Tasmania 2023
Field Study 1: 665 nanometer infrared, Queenstown, Tasmania 2023
Pink STeam
Installation view Biennale of Sydney – Rivus Directed by Jose Roca and curated by Anna Davis Single Channel Video shot in hyper colour infrared at 470 nm on a specially modified camera. DUR 56:31, Stereo Sound6 Channel live sound of Cosmic Rays (muons) – Cosmic Ray Detector: Geiger Muller Array, 6 channel Audio, Muon Counter, various electronics, table, amplifiers. Muon detector: Robert Hart. Programming: Paul Schulz Commissioned by the Biennale of Sydney with generous support from the UK/Australia Season Patrons Board, the British Council and the Australian Government as part of the UK/Australia Season Much of our fieldwork has revolved …
Black Canyons
Black Canyons: Sun Valley – Michael Morley, Joyce Hinterding and David Haines. Commissioned and performed at Campbelltown Arts Center in 2015 Curated by Matthew Stefan. Photographic Documentation by Christopher John Frape. The article from the Sydney Morning Herald can be found here The audio from the performance can be heard here
Soundship (descender 1)
Gravity invisibly governs the movement of the world, the shape of space and the flow of time. Our project involved sending an Aeolian space craft, Sound Ship (descender 1) into the stratosphere to the edge of space and back. Our spacecraft, produces sound as it meets the extreme elements on its journey, composing a unique sound composition based on the environmental situation at the time of flight. Air pressure, wind currents, and gravity itself produce noise from the air blown instruments that we have designed into the structure of our spacecraft. The Sound Ship (descender 1) is sent aloft under a specially …
The Wollemi Kirlians 2014
The following is a text written for the Kuandu Biennale extracted from a longer essay written by curator Jasmin Stephens David Haines is presenting an installation comprising a suite of images using the technique of Kirlian photography and a fragrance he composed in his Aroma Studio. In his sculptural assembly, Wollemi Kirlians (2014) and Slow Fast Mountains (earth aroma laboratory)(2014), Haines has configured the visual and olfactory elements to set up a recognition system intended to bring Biennale visitors into closer proximity to ‘unseen forces’ that lie within and around us. Haines’ installation exemplifies the tension between ‘the fictive and …
Ozinal
Three types of ozone aroma molecules are combined in a base of chemistry that allows for their moist breezy and electrical smelling qualities to bloom. They are housed in a handmade geodesic black paper sphere that allows for a suitable thermodynamic environment for the aroma molecules to circulate without spreading too far into the gallery. An ultrasonic speaker provides a focused sound beam into the area near to the smelling sphere that enables the viewer to smell ozone like molecules and hear the sound of the suns interaction with the earths ionosphere recorded by the artists using a VLF antennae and …
SUNVALLEYRADIO
a special audio project by Joyce Hinterding and David Haines
Live Sound Performances (under construction)
2013 The falls of darkness, Haines/Hinterding, for Niteworks at The Bundanon Trust, NSW. 2013 Fields Found, Joyce Hinterding solo performance, Found Sound, MUMA Melbourne 2012 TarraWarra Biennial Sonic Spheres, Haines/Hinterding, Healesville Vic. 2012 Sound Full, Sunvalley, Dunedin Public Art Gallery Dunedin, New Zealand. 2011 Awfully Wonderful Haines/Hinterding, Performance Space Sydney. 2010 The difficult music Festival – Haines/Hinterding Sedition 2010 Monocline, Haines/Hinterding, Super Deluxe at Artspace, 17th Biennale of Sydney, Sydney. 2008 Now Now Festival, Joyce Hinterding solo performance, Wentworth Falls School of Arts, Blue Mountains, NSW. 2007 American Modern, David Haines, The Winecellar, Auckland, New Zealand 2006 Sound and Electricity, Joyce Hinterding solo …
News: Rotterdam Worm:Haines & Hinterding Exhibition & Performance at Roodkapje:
Carbon Black Electromagnetic Jurassic – Opening 10 January 2014 at Roodkapje, Rotterdam and with a live performance 17 January at Worm Rotterdam’s Institute for Avant-garde Recreation.
News:Haines to launch and Hinterding to perform at Douglas Kahn’s book launch
Earth Sound Earth Signal is a study of energies in aesthetics and the arts, from the birth of modern communications in the nineteenth century to the global transmissions of the present day. Douglas Kahn begins by evoking the Aeolian sphere music that Henry David Thoreau heard blowing along telegraph lines and the Aelectrosonic sounds of natural radio that Thomas Watson heard through the first telephone; he then traces the histories of science, media, music, and the arts to the 1960s and beyond. Earth Sound Earth Signal rethinks energy at a global scale, from brainwaves to outer space, through detailed discussions …
News:Hinterding Simple Forces
JOYCE HINTERDINGSimple ForcesOpening Thursday 24 October, 6–8 pm Joyce Hinterding, Loops and Fields: series 4, 2010, ink & graphite on paper, 76 x 57 cm With sensory richness and remarkable resourcefulness, Hinterding makes us aware of the vast array of ambient energy that swathes us, all the while testing the limits – and expanded possibilities – of representation.Patrice Sharkey, Artist Proof #1, MUMA, 2012In Simple Forces, Joyce Hinterding considers the aesthetics of our electromagnetic environment through a series of conductive graphite drawings and installations. Hinterding’s work finds a compelling balance between physics and aesthetics, a practice immersed in the strange territory between a field …
News: Hinterding Found Sound
Joyce Hinterding Lawrence English Date: Saturday 26 October 2013 Time: 3.00pm Venue: Monash University Museum of Art Joyce Hinterding will perform using custom-made VLF (very low frequency) loop antennae and a radio scanner to source electromagnetic energy from the surrounding environment. Lawrence English works in a range of spheres including electronic-based composition and field recordings – capturing sounds as delicate as sand grains in motion or as remote as the winds of Antarctica. click for more: http://www.monash.edu.au/muma/events/
The Falls of Darkness 2013
The falls of darkness, Joyce Hinterding and David Haines, for Niteworks at The Bundanon Trust, NSW
News:Haines & Hinterding: Hollow in the Paper
12/07/2013 – 18/08/2013 Hollow in the Paper Joyce Hinterding, Pat Brassington, David Haines, Fiona Lee, Amanda Davies, Maria Kunda, Teaching and Learning Cinema Bec Stevens CAST Hobart from the CAST website the wonderful Bec Stevens writes Hollow in the Paper* was initiated through readings of two intertwined notions proposed separately by Duchamp. The initial text included the succinct idea of a transformer to utilise slight, wasted energies – with these mostly bodily energies being, for example, “sneezes and sighs” or “the movements of fear, astonishment, boredom and anger”. And the second notion being the infra-slim, infra-thin or infra-mince. A term …
News: Modern Art Projects
17 /06/2013 Above: ElectroStatic Wavefront Number 1 in Russell Jack house Wahroonga as part of Modern Art Projects second exhibition.
News:Haines Hinterding: SoundFull at Wellington City Art Gallery NZ
Monocline: Black Boxes will be exhibited at the Wellington City Art Gallery, New Zealand as part of SoundFull curated by Caleb Kelly & Aaron Kreisler…… http://citygallery.org.nz/ Opening 18/10/13 Show 18/10/13-9/2/14
News: Living in the Ruins of the Twentieth Century
UTS Gallery Sydney: Living in the Ruins of the Twentieth Century 16 April—17 May 2013 Opening Tuesday 16 April 6–8pm
News:Haines & Hinterding exhibit seperately in Redlands Konica Minolta Art Prize
We are both represented with individual works in the Redlands Konica Minolta Art Prize. Selected artists are also asked to choose another artist to be included, I chose Michaela Gleave and Joyce chose Vicky Browne. http://www.redlands.nsw.edu.au/go/redlands-community/redlands-konica-minolta-art-prize/?CFID=296873&CFTOKEN=91579296
A disassembled flower 2012
A disassembled flower 2013. Sydney College of the Arts, Sydney University.
Noumenon Range
This pure pigment image is the first in a number of works that form part of a series on imaginary cartography. “Looking towards the Noumenon Ranges, 2013 ” was first exhibited in the Konica Minolta Redlands Prize. The landscape depicted is often mistaken for a real place. The landscape is algorithmically generated using fractal-based 3d rendering software.
The Falls of Darkness
12 October 2013 ‘The falls of darkness‘ was installed and performed for Niteworks at The Bundanon Trust in the Glen Murcutt designed Boyd Education Center. ‘The falls of darkness’ drew its source sound from 5 large graphite graphic Very Low Frequency antenna stenciled onto the large windows of the Boyd Education Center and 7 copper tube antenna pointing into the night sky. This live performance explored the electromagnetic soundscape of the surroundings and wrangled this energetic material into a composition of elaborate sonic structures. Invite to BundanonNiteWorks PDF
Cloudbusters
2012,Orgasm,Breenspace,Sydney,2011 Awfully Wonderful,Science Fiction in Contemporary Art,Performance Space Sydney.The Black Ray: Cloudbuster Number Three: Orgone Energy Cloud Engineering Device, Starlight Driver: Cloudbuster Number Four: Orgone Energy Cloud Engineering Device 2011–12 – anodized aluminium, irrigation piping, water pump (240cm x 11cm x 28 cm)Electrostatic composition for Carbon Black Electrostatic composition for Carbon Black and Alizarine Yellow 2012 Carbon Black pigment, Alizarine Yellow pigment, polycarbonate, cedar (95 x 62 x 33 cm) The Black Ray and Starlight Driver are functional working Cloudbusters, an invention of psychoanalyst Wilhelm Reich that appeared in the US in the 1950’s that are said to be able to manipulate and restore balance to the …
Simple Forces
2013 Breenspace Sydney Joyce Hinterding’s exhibition, Simple Forces, considers the aesthetics of our electromagnetic environment through a series of conductive graphite drawings and installations. Hinterding approaches energy as a ‘non-human mode of expression’ that explores the four fundamental forces at the heart of existence: gravity, the strong force, the weak force and electromagnetism. What happens when an artist translates invisible forces into compositions? Hinterding’s work finds a compelling balance between physics and aesthetics, a practice immersed in the strange territory between a field and the force it can generate. For Hinterding, a graphite spiral becomes a resonating structure that emanates energy, scavenging, …